Lilith’s Fiction Editor Yona Zeldis McDonough talks with author Catherine Hiller about her sharp, smartly observed period novel that deals with female friendship, office edition.
YZM: Why did you choose to set the novel in the 1990s?
CH: It was a pivotal time in American life, when email, digital cameras, and cell phones were coming into common use. I wanted to dramatize the impact of these digital technologies. For instance, the book opens with Nikki opening her email at work (she doesn’t have email at home) and seeing a message and an attachment from an unfamiliar address. She idly opens the attachment to find it is a photograph of herself and two men, naked. She’d been drugged and raped on a business trip but hadn’t known she’d been photographed.